Welcome to the Hardcore Husky Forums. Folks who are well-known in Cyberland and not that dumb.
Keith Richard's Greatest Riff in Open G Tuning
YellowSnow
Moderator, Swaye's Wigwam Posts: 37,215 
Keith Richard's Greatest Riff in Open G Tuning 10 votes
Rock Off
10%
1 vote
Brown Sugar
0%
Can't You Hear Me Knocking?
40%
4 votes
Happy
10%
1 vote
Tumbling Dice
20%
2 votes
Start Me Up
10%
1 vote
Honky Tonk Woman
10%
1 vote
All Down The Line
0%
Comments
-
Can't You Hear Me Knocking?*Rocks Off
-
Can't You Hear Me Knocking?Open G tuning sounds impressive and cool but is pretty meh
-
Can't You Hear Me Knocking?
Meh, how? Care to expand on this?JoeEDangerously said:Open G tuning sounds impressive and cool but is pretty meh
-
HappyI damn near had an aneurism trying to pick one (tyfys Yella, great list), but settled on this version 'cause Keef is running the show here and really lets it fly...I would give my left nut to have seen the Winos back in the day...little wonder Charlie tapped Steve Jordan to fill in for him...
https://youtu.be/crvYuMMJcOk -
Write in
Too bad Ronnie Wood had to beat Keef with the break, get up/slow down and Rod Stewart wins again with better tune.
https://www.youtube.com/watch?v=JtqF0qBqzZo -
Can't You Hear Me Knocking?
Didn’t they teach good Engrish at the 1 room school behind whore house In Wallace @PurpleThrobber ?PurpleThrobber said:Write in
Too bad Ronnie Wood had to beat Keef with the break, get up/slow down and Rod Stewart wins again with better tune.https://www.youtube.com/watch?v=JtqF0qBqzZo
Stay With Me is in Open E tuning.
Christ. -
Only band fags would know that.
The jocks were getting handies from the cheerleaders instead. -
Can't You Hear Me Knocking?
Rod Stewart was a jock in a rock and roll band. No mutual exclusivity here.PurpleThrobber said:Only band fags would know that.
The jocks were getting handies from the cheerleaders instead. -
Can't You Hear Me Knocking?
I took off the top string, plucked around in open G for a while. I just meant you think you’ve opened some portal to new music and horizons then realize there’s just not as much there as you thought. Just my opinionYellowSnow said:
Meh, how? Care to expand on this?JoeEDangerously said:Open G tuning sounds impressive and cool but is pretty meh
-
Can't You Hear Me Knocking?
I just leave the Low E string on and don't touch it, when playing in Open G. That's not how Keef does it, of course - he's got the famous 5 string telecaster.JoeEDangerously said:
I took off the top string, plucked around in open G for a while. I just meant you think you’ve opened some portal to new music and horizons then realize there’s just not as much there as you thought. Just my opinionYellowSnow said:
Meh, how? Care to expand on this?JoeEDangerously said:Open G tuning sounds impressive and cool but is pretty meh
A man's got to know his limitations, and I'm never gonna be an elite (lulz) picker and have to content myself with playing some riffs and short solos that make me sound cool. Open G scratches that itch. It's a fat, greasy type of sound that gave the Stones a unique sound that few were able to emulate. The Black Crowes come to mind with their first album being heavy on Open G.
That it doesn't open a portal to endless possibilities is of little import to me, personally. -
Can't You Hear Me Knocking?
The only reason it even occurred to me was the fact that Keith has the five stringers. While re-stringing one night it just dawned on me looking at the bottoms five only being there so I just dropped the A down and started playing some power chords and such. Went about an hour and just never felt like anything clicked within me. The only seldom used tuning, as far as well known bands go, I have ever enjoyed or used on a frequent basis is a whole step down. DGCFADYellowSnow said:
I just leave the Low E string on and don't touch it, when playing in Open G. That's not how Keef does it, of course - he's got the famous 5 string telecaster.JoeEDangerously said:
I took off the top string, plucked around in open G for a while. I just meant you think you’ve opened some portal to new music and horizons then realize there’s just not as much there as you thought. Just my opinionYellowSnow said:
Meh, how? Care to expand on this?JoeEDangerously said:Open G tuning sounds impressive and cool but is pretty meh
A man's got to know his limitations, and I'm never gonna be an elite (lulz) picker and have to content myself with playing some riffs and short solos that make me sound cool. Open G scratches that itch. It's a fat, greasy type of sound that gave the Stones a unique sound that few were able to emulate. The Black Crowes come to mind with their first album being heavy on Open G.
That it doesn't open a portal to endless possibilities is of little import to me, personally.
I’m more the less into the heavy shit though -
Nothing special about Keith Richards' guitar skills. Sorry, homies.
-
Can't You Hear Me Knocking?
Not by your tastes. But there's a lot more to rock and roll than being Eddie Van Halen.BleachedAnusDawg said:Nothing special about Keith Richards' guitar skills. Sorry, homies.
He's arguably the most important rhythm guitar player of all time. And Jagger/Richards are 2nd only the Lennon and McCartney as the greatest (group) songwriters. -
Can't You Hear Me Knocking?
Yeah, I think Tommy Iommi tuned everything down a half step which gave Sabbath the original sludgey, heavy sound.JoeEDangerously said:
The only reason it even occurred to me was the fact that Keith has the five stringers. While re-stringing one night it just dawned on me looking at the bottoms five only being there so I just dropped the A down and started playing some power chords and such. Went about an hour and just never felt like anything clicked within me. The only seldom used tuning, as far as well known bands go, I have ever enjoyed or used on a frequent basis is a whole step down. DGCFADYellowSnow said:
I just leave the Low E string on and don't touch it, when playing in Open G. That's not how Keef does it, of course - he's got the famous 5 string telecaster.JoeEDangerously said:
I took off the top string, plucked around in open G for a while. I just meant you think you’ve opened some portal to new music and horizons then realize there’s just not as much there as you thought. Just my opinionYellowSnow said:
Meh, how? Care to expand on this?JoeEDangerously said:Open G tuning sounds impressive and cool but is pretty meh
A man's got to know his limitations, and I'm never gonna be an elite (lulz) picker and have to content myself with playing some riffs and short solos that make me sound cool. Open G scratches that itch. It's a fat, greasy type of sound that gave the Stones a unique sound that few were able to emulate. The Black Crowes come to mind with their first album being heavy on Open G.
That it doesn't open a portal to endless possibilities is of little import to me, personally.
I’m more the less into the heavy shit though
What kinda electric axe you got there @JoeEDangerously ? -
Can't You Hear Me Knocking?One universal truth I've learned is that most people who know technical things about guitar playing are insufferable fags, at least while they're on that topic.
You ain't shredding, you ain't playing. That's the standard your average rock fan applies when ranking guitarists.YellowSnow said:
Not by your tastes. But there's a lot more to rock and roll than being Eddie Van Halen.BleachedAnusDawg said:Nothing special about Keith Richards' guitar skills. Sorry, homies.
He's arguably the most important rhythm guitar player of all time. And Jagger/Richards are 2nd only the Lennon and McCartney as the greatest (group) songwriters. -
You try playing guitar at 148 years old.BleachedAnusDawg said:Nothing special about Keith Richards' guitar skills. Sorry, homies.
-
Can't You Hear Me Knocking?PurpleThrobber said:
You try playing guitar at 148 years old.BleachedAnusDawg said:Nothing special about Keith Richards' guitar skills. Sorry, homies.
-
Can't You Hear Me Knocking?
Tony did standard on the first two then went all the way down to C# on Master of Reality and afterYellowSnow said:
Yeah, I think Tommy Iommi tuned everything down a half step which gave Sabbath the original sludgey, heavy sound.JoeEDangerously said:
The only reason it even occurred to me was the fact that Keith has the five stringers. While re-stringing one night it just dawned on me looking at the bottoms five only being there so I just dropped the A down and started playing some power chords and such. Went about an hour and just never felt like anything clicked within me. The only seldom used tuning, as far as well known bands go, I have ever enjoyed or used on a frequent basis is a whole step down. DGCFADYellowSnow said:
I just leave the Low E string on and don't touch it, when playing in Open G. That's not how Keef does it, of course - he's got the famous 5 string telecaster.JoeEDangerously said:
I took off the top string, plucked around in open G for a while. I just meant you think you’ve opened some portal to new music and horizons then realize there’s just not as much there as you thought. Just my opinionYellowSnow said:
Meh, how? Care to expand on this?JoeEDangerously said:Open G tuning sounds impressive and cool but is pretty meh
A man's got to know his limitations, and I'm never gonna be an elite (lulz) picker and have to content myself with playing some riffs and short solos that make me sound cool. Open G scratches that itch. It's a fat, greasy type of sound that gave the Stones a unique sound that few were able to emulate. The Black Crowes come to mind with their first album being heavy on Open G.
That it doesn't open a portal to endless possibilities is of little import to me, personally.
I’m more the less into the heavy shit though
What kinda electric axe you got there @JoeEDangerously ?
Half step you’re talking EVH, Thin Lizzy, Alice In Chains, Metallica Justice album
I just have one Gibson left. Sold a Jackson and an Ibanez years ago. Wish I still had the Jackson -
Can't You Hear Me Knocking?
Jackson and Ibanez guitars are way too hesher for me. I can't pull that off.JoeEDangerously said:
Tony did standard on the first two then went all the way down to C# on Master of Reality and afterYellowSnow said:
Yeah, I think Tommy Iommi tuned everything down a half step which gave Sabbath the original sludgey, heavy sound.JoeEDangerously said:
The only reason it even occurred to me was the fact that Keith has the five stringers. While re-stringing one night it just dawned on me looking at the bottoms five only being there so I just dropped the A down and started playing some power chords and such. Went about an hour and just never felt like anything clicked within me. The only seldom used tuning, as far as well known bands go, I have ever enjoyed or used on a frequent basis is a whole step down. DGCFADYellowSnow said:
I just leave the Low E string on and don't touch it, when playing in Open G. That's not how Keef does it, of course - he's got the famous 5 string telecaster.JoeEDangerously said:
I took off the top string, plucked around in open G for a while. I just meant you think you’ve opened some portal to new music and horizons then realize there’s just not as much there as you thought. Just my opinionYellowSnow said:
Meh, how? Care to expand on this?JoeEDangerously said:Open G tuning sounds impressive and cool but is pretty meh
A man's got to know his limitations, and I'm never gonna be an elite (lulz) picker and have to content myself with playing some riffs and short solos that make me sound cool. Open G scratches that itch. It's a fat, greasy type of sound that gave the Stones a unique sound that few were able to emulate. The Black Crowes come to mind with their first album being heavy on Open G.
That it doesn't open a portal to endless possibilities is of little import to me, personally.
I’m more the less into the heavy shit though
What kinda electric axe you got there @JoeEDangerously ?
Half step you’re talking EVH, Thin Lizzy, Alice In Chains, Metallica Justice album
I just have one Gibson left. Sold a Jackson and an Ibanez years ago. Wish I still had the Jackson
-
The Throbber has a Gretsch sitting about six feet away right this second.YellowSnow said:
Jackson and Ibanez guitars are way too hesher for me. I can't pull that off.JoeEDangerously said:
Tony did standard on the first two then went all the way down to C# on Master of Reality and afterYellowSnow said:
Yeah, I think Tommy Iommi tuned everything down a half step which gave Sabbath the original sludgey, heavy sound.JoeEDangerously said:
The only reason it even occurred to me was the fact that Keith has the five stringers. While re-stringing one night it just dawned on me looking at the bottoms five only being there so I just dropped the A down and started playing some power chords and such. Went about an hour and just never felt like anything clicked within me. The only seldom used tuning, as far as well known bands go, I have ever enjoyed or used on a frequent basis is a whole step down. DGCFADYellowSnow said:
I just leave the Low E string on and don't touch it, when playing in Open G. That's not how Keef does it, of course - he's got the famous 5 string telecaster.JoeEDangerously said:
I took off the top string, plucked around in open G for a while. I just meant you think you’ve opened some portal to new music and horizons then realize there’s just not as much there as you thought. Just my opinionYellowSnow said:
Meh, how? Care to expand on this?JoeEDangerously said:Open G tuning sounds impressive and cool but is pretty meh
A man's got to know his limitations, and I'm never gonna be an elite (lulz) picker and have to content myself with playing some riffs and short solos that make me sound cool. Open G scratches that itch. It's a fat, greasy type of sound that gave the Stones a unique sound that few were able to emulate. The Black Crowes come to mind with their first album being heavy on Open G.
That it doesn't open a portal to endless possibilities is of little import to me, personally.
I’m more the less into the heavy shit though
What kinda electric axe you got there @JoeEDangerously ?
Half step you’re talking EVH, Thin Lizzy, Alice In Chains, Metallica Justice album
I just have one Gibson left. Sold a Jackson and an Ibanez years ago. Wish I still had the Jackson
Someday when he's not too busy making money, he'll learn how to play the damned thing.
-
Can't You Hear Me Knocking?
I’m in the same boat. Had kids… quit playingPurpleThrobber said:
The Throbber has a Gretsch sitting about six feet away right this second.YellowSnow said:
Jackson and Ibanez guitars are way too hesher for me. I can't pull that off.JoeEDangerously said:
Tony did standard on the first two then went all the way down to C# on Master of Reality and afterYellowSnow said:
Yeah, I think Tommy Iommi tuned everything down a half step which gave Sabbath the original sludgey, heavy sound.JoeEDangerously said:
The only reason it even occurred to me was the fact that Keith has the five stringers. While re-stringing one night it just dawned on me looking at the bottoms five only being there so I just dropped the A down and started playing some power chords and such. Went about an hour and just never felt like anything clicked within me. The only seldom used tuning, as far as well known bands go, I have ever enjoyed or used on a frequent basis is a whole step down. DGCFADYellowSnow said:
I just leave the Low E string on and don't touch it, when playing in Open G. That's not how Keef does it, of course - he's got the famous 5 string telecaster.JoeEDangerously said:
I took off the top string, plucked around in open G for a while. I just meant you think you’ve opened some portal to new music and horizons then realize there’s just not as much there as you thought. Just my opinionYellowSnow said:
Meh, how? Care to expand on this?JoeEDangerously said:Open G tuning sounds impressive and cool but is pretty meh
A man's got to know his limitations, and I'm never gonna be an elite (lulz) picker and have to content myself with playing some riffs and short solos that make me sound cool. Open G scratches that itch. It's a fat, greasy type of sound that gave the Stones a unique sound that few were able to emulate. The Black Crowes come to mind with their first album being heavy on Open G.
That it doesn't open a portal to endless possibilities is of little import to me, personally.
I’m more the less into the heavy shit though
What kinda electric axe you got there @JoeEDangerously ?
Half step you’re talking EVH, Thin Lizzy, Alice In Chains, Metallica Justice album
I just have one Gibson left. Sold a Jackson and an Ibanez years ago. Wish I still had the Jackson
Someday when he's not too busy making money, he'll learn how to play the damned thing. -
Can't You Hear Me Knocking?
A REAL Gretsch or some made in Asia Gretsch?PurpleThrobber said:
The Throbber has a Gretsch sitting about six feet away right this second.YellowSnow said:
Jackson and Ibanez guitars are way too hesher for me. I can't pull that off.JoeEDangerously said:
Tony did standard on the first two then went all the way down to C# on Master of Reality and afterYellowSnow said:
Yeah, I think Tommy Iommi tuned everything down a half step which gave Sabbath the original sludgey, heavy sound.JoeEDangerously said:
The only reason it even occurred to me was the fact that Keith has the five stringers. While re-stringing one night it just dawned on me looking at the bottoms five only being there so I just dropped the A down and started playing some power chords and such. Went about an hour and just never felt like anything clicked within me. The only seldom used tuning, as far as well known bands go, I have ever enjoyed or used on a frequent basis is a whole step down. DGCFADYellowSnow said:
I just leave the Low E string on and don't touch it, when playing in Open G. That's not how Keef does it, of course - he's got the famous 5 string telecaster.JoeEDangerously said:
I took off the top string, plucked around in open G for a while. I just meant you think you’ve opened some portal to new music and horizons then realize there’s just not as much there as you thought. Just my opinionYellowSnow said:
Meh, how? Care to expand on this?JoeEDangerously said:Open G tuning sounds impressive and cool but is pretty meh
A man's got to know his limitations, and I'm never gonna be an elite (lulz) picker and have to content myself with playing some riffs and short solos that make me sound cool. Open G scratches that itch. It's a fat, greasy type of sound that gave the Stones a unique sound that few were able to emulate. The Black Crowes come to mind with their first album being heavy on Open G.
That it doesn't open a portal to endless possibilities is of little import to me, personally.
I’m more the less into the heavy shit though
What kinda electric axe you got there @JoeEDangerously ?
Half step you’re talking EVH, Thin Lizzy, Alice In Chains, Metallica Justice album
I just have one Gibson left. Sold a Jackson and an Ibanez years ago. Wish I still had the Jackson
Someday when he's not too busy making money, he'll learn how to play the damned thing. -
Can't You Hear Me Knocking?
I hate the Kidz!JoeEDangerously said:
I’m in the same boat. Had kids… quit playingPurpleThrobber said:
The Throbber has a Gretsch sitting about six feet away right this second.YellowSnow said:
Jackson and Ibanez guitars are way too hesher for me. I can't pull that off.JoeEDangerously said:
Tony did standard on the first two then went all the way down to C# on Master of Reality and afterYellowSnow said:
Yeah, I think Tommy Iommi tuned everything down a half step which gave Sabbath the original sludgey, heavy sound.JoeEDangerously said:
The only reason it even occurred to me was the fact that Keith has the five stringers. While re-stringing one night it just dawned on me looking at the bottoms five only being there so I just dropped the A down and started playing some power chords and such. Went about an hour and just never felt like anything clicked within me. The only seldom used tuning, as far as well known bands go, I have ever enjoyed or used on a frequent basis is a whole step down. DGCFADYellowSnow said:
I just leave the Low E string on and don't touch it, when playing in Open G. That's not how Keef does it, of course - he's got the famous 5 string telecaster.JoeEDangerously said:
I took off the top string, plucked around in open G for a while. I just meant you think you’ve opened some portal to new music and horizons then realize there’s just not as much there as you thought. Just my opinionYellowSnow said:
Meh, how? Care to expand on this?JoeEDangerously said:Open G tuning sounds impressive and cool but is pretty meh
A man's got to know his limitations, and I'm never gonna be an elite (lulz) picker and have to content myself with playing some riffs and short solos that make me sound cool. Open G scratches that itch. It's a fat, greasy type of sound that gave the Stones a unique sound that few were able to emulate. The Black Crowes come to mind with their first album being heavy on Open G.
That it doesn't open a portal to endless possibilities is of little import to me, personally.
I’m more the less into the heavy shit though
What kinda electric axe you got there @JoeEDangerously ?
Half step you’re talking EVH, Thin Lizzy, Alice In Chains, Metallica Justice album
I just have one Gibson left. Sold a Jackson and an Ibanez years ago. Wish I still had the Jackson
Someday when he's not too busy making money, he'll learn how to play the damned thing. -
Can't You Hear Me Knocking?Top 5 song all time for me... love that riff blend and like the vocals as well
-
Can't You Hear Me Knocking?
It’s the greatest opening riff of all time. It’s even better with Joe Pesci on vocals.TheRoarOfTheCrowd said:Top 5 song all time for me... love that riff blend and like the vocals as well
https://youtube.com/watch?v=d5CTEQ8SeIs -
Fuck if I know. It's black on the front (like me), brown on the back and has strings.YellowSnow said:
A REAL Gretsch or some made in Asia Gretsch?PurpleThrobber said:
The Throbber has a Gretsch sitting about six feet away right this second.YellowSnow said:
Jackson and Ibanez guitars are way too hesher for me. I can't pull that off.JoeEDangerously said:
Tony did standard on the first two then went all the way down to C# on Master of Reality and afterYellowSnow said:
Yeah, I think Tommy Iommi tuned everything down a half step which gave Sabbath the original sludgey, heavy sound.JoeEDangerously said:
The only reason it even occurred to me was the fact that Keith has the five stringers. While re-stringing one night it just dawned on me looking at the bottoms five only being there so I just dropped the A down and started playing some power chords and such. Went about an hour and just never felt like anything clicked within me. The only seldom used tuning, as far as well known bands go, I have ever enjoyed or used on a frequent basis is a whole step down. DGCFADYellowSnow said:
I just leave the Low E string on and don't touch it, when playing in Open G. That's not how Keef does it, of course - he's got the famous 5 string telecaster.JoeEDangerously said:
I took off the top string, plucked around in open G for a while. I just meant you think you’ve opened some portal to new music and horizons then realize there’s just not as much there as you thought. Just my opinionYellowSnow said:
Meh, how? Care to expand on this?JoeEDangerously said:Open G tuning sounds impressive and cool but is pretty meh
A man's got to know his limitations, and I'm never gonna be an elite (lulz) picker and have to content myself with playing some riffs and short solos that make me sound cool. Open G scratches that itch. It's a fat, greasy type of sound that gave the Stones a unique sound that few were able to emulate. The Black Crowes come to mind with their first album being heavy on Open G.
That it doesn't open a portal to endless possibilities is of little import to me, personally.
I’m more the less into the heavy shit though
What kinda electric axe you got there @JoeEDangerously ?
Half step you’re talking EVH, Thin Lizzy, Alice In Chains, Metallica Justice album
I just have one Gibson left. Sold a Jackson and an Ibanez years ago. Wish I still had the Jackson
Someday when he's not too busy making money, he'll learn how to play the damned thing.
