From Rolling Stone, who ranked it the 2nd best metal record of all tim (beaten by Sabbaths Paranoid):
It begins like a Western with ominous acoustic guitars playing a triumphal, Spanish-sounding melody, but the intro to “Battery” is just a preamble to the galloping, crushing, grim and pugilistic riffs to come in the next hour. From start to finish, Master of Puppets is a masterpiece. Just two years after they introduced prettier melodies to the savage thrash they helped pioneer on Ride the Lightning, Metallica perfected the sound on Master with intricately arranged songs that ran a little longer and covered more musical ground. “Master of Puppets,” a tune frontman James Hetfield wrote after becoming disgusted from seeing junkies pass out at a party, stretches to eight-and-a-half minutes and fuses thrash with hardcore sing-alongs; jazzy, lyrical soloing; and maniacal psychodrama – it remains the band’s most requested and performed song at concerts. Meanwhile, “The Thing That Should Not Be” is a full-on sludge rocker, “Welcome Home (Sanitarium)” is the One Flew Over the Cuckoo’s Nest of metal ballads and the lengthy instrumental “Orion” – which features roaring lead bass by Cliff Burton, who died while touring in support of Master in 1986 – plays out like a classical composition, so full of musical drama that lyrics would kill its effect. Meanwhile, heavy, mid-paced rocker “Leper Messiah,” whose title references David Bowie’s “Ziggy Stardust,” foreshadowed the more groove-oriented, radio-friendly path the band would take on the Black Album in 1991. Only three years removed from Kill ‘Em All, they’d even perfected the pure sound of thrash: “Battery” hurls by at 190 punishing beats per minute, closing track “Damage Inc.” blindsides listeners with walloping stop-start rhythms at a death-defying pace, and “Disposable Heroes” is like a master class in thrash with its militaristic rhythms, catchy hooks and Hetfield snarling “Back to the front!” Master of Puppets is the sound of a band in top form, and it’s the album that made Metallica. “When I listen to Master of Puppets now, I just sit there and go, ‘What the fuck? How do you do that?'” Lars Ulrich said with a laugh in 2016. “It’s very gutsy music.”
From Rolling Stone, who ranked it the 2nd best metal record of all tim (beaten by Sabbaths Paranoid):
It begins like a Western with ominous acoustic guitars playing a triumphal, Spanish-sounding melody, but the intro to “Battery” is just a preamble to the galloping, crushing, grim and pugilistic riffs to come in the next hour. From start to finish, Master of Puppets is a masterpiece. Just two years after they introduced prettier melodies to the savage thrash they helped pioneer on Ride the Lightning, Metallica perfected the sound on Master with intricately arranged songs that ran a little longer and covered more musical ground. “Master of Puppets,” a tune frontman James Hetfield wrote after becoming disgusted from seeing junkies pass out at a party, stretches to eight-and-a-half minutes and fuses thrash with hardcore sing-alongs; jazzy, lyrical soloing; and maniacal psychodrama – it remains the band’s most requested and performed song at concerts. Meanwhile, “The Thing That Should Not Be” is a full-on sludge rocker, “Welcome Home (Sanitarium)” is the One Flew Over the Cuckoo’s Nest of metal ballads and the lengthy instrumental “Orion” – which features roaring lead bass by Cliff Burton, who died while touring in support of Master in 1986 – plays out like a classical composition, so full of musical drama that lyrics would kill its effect. Meanwhile, heavy, mid-paced rocker “Leper Messiah,” whose title references David Bowie’s “Ziggy Stardust,” foreshadowed the more groove-oriented, radio-friendly path the band would take on the Black Album in 1991. Only three years removed from Kill ‘Em All, they’d even perfected the pure sound of thrash: “Battery” hurls by at 190 punishing beats per minute, closing track “Damage Inc.” blindsides listeners with walloping stop-start rhythms at a death-defying pace, and “Disposable Heroes” is like a master class in thrash with its militaristic rhythms, catchy hooks and Hetfield snarling “Back to the front!” Master of Puppets is the sound of a band in top form, and it’s the album that made Metallica. “When I listen to Master of Puppets now, I just sit there and go, ‘What the fuck? How do you do that?'” Lars Ulrich said with a laugh in 2016. “It’s very gutsy music.”
With these shitty music polls @Laocoön has really come alive
Calling out his fav fag tracks brings out the best in @Laocoön one Tim I had @89ute over to listen to all the Stones and Beatles vinyl and laocoon boycotted cause no Skinny Puppy.
With these shitty music polls @Laocoön has really come alive
Calling out his fav fag tracks brings out the best in @Laocoön one Tim I had @89ute over to listen to all the Stones and Beatles vinyl and laocoon boycotted cause no Skinny Puppy.
Or maybe he didn't want a three-way. Did you ever think of that?
With these shitty music polls @Laocoön has really come alive
Calling out his fav fag tracks brings out the best in @Laocoön one Tim I had @89ute over to listen to all the Stones and Beatles vinyl and laocoon boycotted cause no Skinny Puppy.
Nah, just didn’t want to be ‘that guy’ who suffers a mind explosion after experiencing such a sonic epiphany. I would have been like the 3 year old who asks way too many questions and ruined your Stones’ Bro-fest. You probably would have even made me walk all the way home afterwards.
With these shitty music polls @Laocoön has really come alive
Calling out his fav fag tracks brings out the best in @Laocoön one Tim I had @89ute over to listen to all the Stones and Beatles vinyl and laocoon boycotted cause no Skinny Puppy.
Or maybe he didn't want a three-way. Did you ever think of that?
Nope, too short! Not tall enuff for Yella’s liking. He likes ‘em well over 6 ft. & blonder....and way prettier!
Comments
It begins like a Western with ominous acoustic guitars playing a triumphal, Spanish-sounding melody, but the intro to “Battery” is just a preamble to the galloping, crushing, grim and pugilistic riffs to come in the next hour. From start to finish, Master of Puppets is a masterpiece. Just two years after they introduced prettier melodies to the savage thrash they helped pioneer on Ride the Lightning, Metallica perfected the sound on Master with intricately arranged songs that ran a little longer and covered more musical ground. “Master of Puppets,” a tune frontman James Hetfield wrote after becoming disgusted from seeing junkies pass out at a party, stretches to eight-and-a-half minutes and fuses thrash with hardcore sing-alongs; jazzy, lyrical soloing; and maniacal psychodrama – it remains the band’s most requested and performed song at concerts. Meanwhile, “The Thing That Should Not Be” is a full-on sludge rocker, “Welcome Home (Sanitarium)” is the One Flew Over the Cuckoo’s Nest of metal ballads and the lengthy instrumental “Orion” – which features roaring lead bass by Cliff Burton, who died while touring in support of Master in 1986 – plays out like a classical composition, so full of musical drama that lyrics would kill its effect. Meanwhile, heavy, mid-paced rocker “Leper Messiah,” whose title references David Bowie’s “Ziggy Stardust,” foreshadowed the more groove-oriented, radio-friendly path the band would take on the Black Album in 1991. Only three years removed from Kill ‘Em All, they’d even perfected the pure sound of thrash: “Battery” hurls by at 190 punishing beats per minute, closing track “Damage Inc.” blindsides listeners with walloping stop-start rhythms at a death-defying pace, and “Disposable Heroes” is like a master class in thrash with its militaristic rhythms, catchy hooks and Hetfield snarling “Back to the front!” Master of Puppets is the sound of a band in top form, and it’s the album that made Metallica. “When I listen to Master of Puppets now, I just sit there and go, ‘What the fuck? How do you do that?'” Lars Ulrich said with a laugh in 2016. “It’s very gutsy music.”
they got caught up in the superficial hair band thing, but there's a difference between the good ones and poser bands like White Lion and Trixter