Just too fucking glorious not to. The rest is in the WAM.
What the fuck is going on right now? Inside Mike Leach's QB meetings via The Athletic:
Apodaca: It’s something you can’t really fabricate. All this stuff is true. You can ask any of us who have been in the room with him.
Halliday: His first meeting, he had just gotten there and I was expecting him to install the offense. Everybody had their notebooks out ready to go. I think we got there at like 6 o’clock at night and were there until 9:30. He didn’t speak one word about football.
Halliday: On his way in from Spokane, he almost got in a car crash. There was a snowstorm that day and a semi truck had rolled, and he was talking about how dangerous it is for semis to drive in the snow…I was already a huge Leach fan, so I knew a little bit about his formations and a few plays, so I wrote down a few things in my notebook. I was excited to get the meeting started. But the only thing I wrote down in big, bold letters was, “What the fuck is going on right now?”
Brink: Our No. 1 rule was: Never say or ask or do anything that would get him talking about anything besides the film.
Brink: One of the great stories on that was early on my first year. Luke (Falk) was getting so perfect at his craft, and Luke loved making sure he got out to the practice field early enough to get his full warm-up in. So we would be in there waiting for Leach, and Luke would put on this serious face and be like, “I don’t care what you guys do, no matter what, nobody say shit, nobody ask anything, just let him come in and do his thing because I need to get on the practice field.” Classic Tyler Hilinski, he would wait until there would be maybe five or 10 minutes left in film and he would just be like, “So, Coach, what do you think about …”
Dotson: I was playing QB at the time, and we had our first position meeting, and 90 percent of the meeting had nothing to do with football. Maybe five plays into watching film, something happened that sparked a classic Mike Leach tangent. For at least an hour, he sat there rewinding and playing the same play over and over while he talked about everything from growing up in Wyoming to having a pet raccoon, getting paddled by the principal at his junior high, the origins of football and eventually just a full-blown Native American history lesson. The one-hour meeting lasted probably three hours. I remember looking at the veteran QBs in the room with a ‘what is happening right now?’ look on my face, but I could tell by their reactions that this was just a normal thing.
Brink: Sometimes they’re literally out of nowhere. We’ll be watching film and he’ll be like, “Throw it to this guy here. On this play, we could have checked to this play. And you know what? That reminds me …” And now we’re on some story that happened in Key West and some guy with one eye and a peg leg that he met at whatever bar.
Apodaca: I remember one story in particular. I can’t remember where he was at, but a neighborhood dog kept going up to him and barking at him or something when he was a small kid. To get this dog to stop barking, he apparently went up to it and peed around it or something so the dog wouldn’t bother him. Since that story, I was like, “This dude is another level of different.” He was just so happy to tell that story.
Bruggman: One of the quarterbacks at Texas Tech took notes on Leach’s stories, and he would quote Leach but he wouldn’t say the F word and he wouldn’t write the F word. He left his notebook behind one day and somehow Leach got a hold of it and was looking at it, so the next day in the meeting he said, “I want you to get up on the board and write the word ‘fuck.’”
Tuel: We’d watch a play and he’d go, “Good.” Next play. “Good ball.” Next play. “What did you see here?” “I saw leverage on outside ‘backer.” He’d take the laser pointer and circle an empty plot of green grass. “Throw it over here next time.” Next play. It was always just like, “Wherever people aren’t, throw it there.” Or, “He’s open. You should have thrown it over there.”
Apodaca: I remember I threw a pick or something, and I remember asking him what coverage that play is good against. And he goes, “Well, you should have just thrown it to this fucking guy because he’s standing there wide-ass open.”
Halliday: I said to Leach, “What do I need to do to get the ball there on time?” He was like, “Well, just throw it to the guy who’s fucking open.” I was like, “Yeah, no, I get that dude, but what do you want me to do to get there quicker?” And he was like, “I don’t give a shit what you do. Just throw it to the guy who’s fucking open.”
Anderson: Say you’re warming up and throwing routes to a receiver and you ground one about five yards in front of the guy. He would go, “Hey, you’re throwing that shit off your back foot, you’ve got to get your dick into it. Point your dick at him.”
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Tuel: I think the most entertaining thing during my time at Washington State was watching Coach Leach teach a three-step and five-step drop. That was some of the better stuff I’ve seen on that field. I mean, what do you think it looks like? Picture in your head what Mike Leach doing a three-step or five-step drop looks like, and that’s exactly what it looks like. Just the exact opposite of graceful.
Halliday: Our film sessions kind of became more of a hang-out situation. He had this Cuban coffee maker that he called Bucci. It’s really, really, really strong Cuban espresso. I don’t know why, but he called it Bucci.
Apodaca: I had to learn how to make the Bucci. I didn’t know how to do it, so I’m up there asking questions, nervous and shit, like, “What the hell? I don’t know how to make this shit.” I finally learned how to do it. Once I learned how to do it, Leach was like, “Oh, man, Apodaca, you make a real mean Bucci.” From then on, I had to go up and make the Bucci for him every single day before meetings. I was like, “Dude, if it gets me out of some crazy ass story, I’m going to go make this shit.”
Halliday: We would drink our coffee, dip our tobacco and basically just tell stories for three hours.
Apodaca: We’re literally watching film like you would watch a YouTube video. We’re watching through it and if there’s something that pops out, he’ll go back. I kid you not, sometimes he would be pressing the rewind button for freaking 14 minutes talking about the Cody, Wyo., rodeo or some shit like that and you’re just like, “What is going on in here?” The same thing would be playing back and forth because he would just rewind, let it play, rewind, let it play. We wouldn’t even be watching it. We’d just be talking about Native Americans or his surfing lessons in California.
Apodaca: Meanwhile, everyone has a big dip in, we’re drinking the most expensive espresso that you can find. I mean, this stuff is damn near a Monster Energy drink because it’s so strong.
Tuel: Connor had to sit out of a passing drill one time because he was so jittery or something. He was so juiced up on that stuff.
Neville: I remember during fall camp last year he had a pretty big dip in. During fall camp that man puts like half a can in his mouth. It’s insane. But anyways, he was so concentrated on the film that he had his coffee in one cup and his spitter in the other way. He spat in his coffee with his dip in his mouth, took his dip out and then drank his coffee. He spit in it like two or three times and didn’t even know it. Me and Casey were like, “What the fuck did he just do?”
Anderson: He had a can on him and he had a real small dip left. He looks at me and goes, “You know, Anderson, I try not to get anyone started on this stuff. But if I’m being completely honest with you, I’ve got a perfect starting dip for you if you want to give it a try.” That’s what got me started on chewing.
Jorgensen: We would go into the meeting, he would push pause and continue talking about a play or concept, and then he would pull out his can. He’d snap it a few times and pack his lower lip and he would get more muffled. You’re still trying to follow what he’s saying, but it’s a little more difficult to understand him. And then he would pack in another pinch into his top lip. They call it the upper-decker or double-decker or something. So he’d have two going at once, and he’d be really muffled so you’re trying to understand what he’s saying and you have to pay extra close attention.
Brink: We had our position meeting at 2 o’clock, so we had to all be in there by 2 o’clock. The thing is, during my three seasons, I think he was on time maybe once or twice.
Brink: And then 15 or 20 minutes in, Coach Leach would walk in, but he would have his ear buds in and he’d be talking on the phone to someone. That’s another thing about him: He’ll pick up the phone for anyone, and no matter who you are, he’ll talk with you.
Brink: Every time he would start telling a story, he wouldn’t pause the film and set down the remote in order to tell the story. He’d be talking, telling the story, and he’d let whatever play is on run until it’s about to finish and then he’d rewind it to the start. Then let it run and rewind it to the start.
Brown: He would tell a story and just rewind it just for something to do in the middle of the story.
Brink: There would be times one of our guys threw a pick or a bad ball, like it was one of his only bad plays in practice. And now he’s got to sit there and watch it for 20 minutes while he’s sitting there listening to one of these stories.
Neville: My freshman year, he put me in the bullring with (defensive back) Skyler Thomas, and I pancaked him. He would never stop asking me, “All right, Neville. You and Thomas, fight to the death. Who wins?”
Brink: We’d be watching film and out of nowhere, just completely out of left field, Leach would use his laser point and he’ll point to two of our players and he’ll be like, “All right, in a fight to the death here, who do you got?”