Basnight's tweets and diatribes are what pulled me through Cohen blowing up the greatest collection of high school talent ever assembled to play college basketball. He also made me realize how guilty I feel to be white. Shame on me. Shame on us all!
Jim Basnight is a Northwest perennial, best known for his new wavy combo the Moberlys, but also a figure in such outfits as the Meyce, the Rockinghams, and as a solo act. He’s ventured away from the Northwest, having lived in NYC and LA, but, like a homing pigeon, he invariably returns to our neck of the woods. He’s currently sequestered in Indianola (that would be in Kitsap County), and has just released his first album in seven years, Not Changing.
Unsurprisingly, there’s plenty of Basnight’s trademark power pop, but the album’s also something of a musical buffet. The opening track, “Code to Live By,” is a laid-back, contemplative toe tapper; don’t look at the calendar, and the more uptempo “Never Get Lost” might make you think you’re back in the early 1980s (the Raspberries come to mind). “Second Street” sinks the hook in deep from the very beginning, in a portrait about the slightly seedier side of the boulevard.
You can also detect some classic influences (at least these ears can). “Big Bang” has some of the bawling, drawling blues of the Rolling Stones (there’s also a Jagger-esque touch to the vocals in “Best Love in the World”). Pay attention to the lyrics of “Avenue of the Star”; it has the same nonsensical wordplay of Paul McCartney’s Ram era. And speaking of wordplay, I can’t help it — the title of “Making Love for a Living” makes me think of nothing so much as pursuing a career as a porn star.
Things turn serious in the mournful “Suicide Evening,” which has the narrator considering whether or not to shuffle off this mortal coil. A similar mordant note is struck in “Kurt Cobain,” with Basnight musing about singing “a pretty tune” with the grunge icon (and also adding a touch of fuzz guitar).
Basnight’s voice is better on the more rocking numbers; at a slower pace, the songs tend to drag (as in “Saturday Dream”), though even the slower numbers likely sound more dynamic in live performance. It all comes to a close in celebratory “Living the Way I Want.” The song kicks off with a great bit of fun, some radio DJ patter from KWJZ’s own Jay Phillips, excitedly urging you, “It’s summer in the Jet City, so come one — let’s rock and roll with Jim!” (“It’s kind of this salute to the classic days of top-40 radio in Seattle that I grew up with,” Basnight told the Kitsap Sun). It also reveals Basnight’s philosophy in a nutshell: “I won’t settle for nothing if it ain’t what I want.” All these years later, Jim Basnight’s still doing it his way.
If McDaniels signs with UW, how would this class compare to the hypothetical fighting Basnights of 2017? Two top-5 players has to be better, right?
Sounds like a good question to ask Basnight and then promptly be told in 280 characters that you couldnt possibly understand the answer to that in 280 characters.
If you want to make accusations out here, take responsibility for them. Sign your real name to them. If not, that's what gets deleted. Always have, always will. You don't get to trash people out here anonymously. Use your real name or don't do it.
Comments
I have no higher compliment.
Jim Basnight is a Northwest perennial, best known for his new wavy combo the Moberlys, but also a figure in such outfits as the Meyce, the Rockinghams, and as a solo act. He’s ventured away from the Northwest, having lived in NYC and LA, but, like a homing pigeon, he invariably returns to our neck of the woods. He’s currently sequestered in Indianola (that would be in Kitsap County), and has just released his first album in seven years, Not Changing.
Unsurprisingly, there’s plenty of Basnight’s trademark power pop, but the album’s also something of a musical buffet. The opening track, “Code to Live By,” is a laid-back, contemplative toe tapper; don’t look at the calendar, and the more uptempo “Never Get Lost” might make you think you’re back in the early 1980s (the Raspberries come to mind). “Second Street” sinks the hook in deep from the very beginning, in a portrait about the slightly seedier side of the boulevard.
You can also detect some classic influences (at least these ears can). “Big Bang” has some of the bawling, drawling blues of the Rolling Stones (there’s also a Jagger-esque touch to the vocals in “Best Love in the World”). Pay attention to the lyrics of “Avenue of the Star”; it has the same nonsensical wordplay of Paul McCartney’s Ram era. And speaking of wordplay, I can’t help it — the title of “Making Love for a Living” makes me think of nothing so much as pursuing a career as a porn star.
Things turn serious in the mournful “Suicide Evening,” which has the narrator considering whether or not to shuffle off this mortal coil. A similar mordant note is struck in “Kurt Cobain,” with Basnight musing about singing “a pretty tune” with the grunge icon (and also adding a touch of fuzz guitar).
Basnight’s voice is better on the more rocking numbers; at a slower pace, the songs tend to drag (as in “Saturday Dream”), though even the slower numbers likely sound more dynamic in live performance. It all comes to a close in celebratory “Living the Way I Want.” The song kicks off with a great bit of fun, some radio DJ patter from KWJZ’s own Jay Phillips, excitedly urging you, “It’s summer in the Jet City, so come one — let’s rock and roll with Jim!” (“It’s kind of this salute to the classic days of top-40 radio in Seattle that I grew up with,” Basnight told the Kitsap Sun). It also reveals Basnight’s philosophy in a nutshell: “I won’t settle for nothing if it ain’t what I want.” All these years later, Jim Basnight’s still doing it his way.
Finding inspiration in Cohen's blunder
@Tequilla takes Basnight to the woodshed with his IMA knowledge.