We work for Mr. Peterman as regulators. We regulate any stealing of his property - we're damn good too! Mr. Peterman ain't got no soft spot for runaways, derelicts, edgy types. But you can't be any geek off the street, gotta be handy with the steel, if you know what I mean, earn your keep.
If you don't know the background story, here is a synopsis:
On a cool, clear night (typical to Southern California) Warren G travels through his neighborhood, searching for women with whom he might initiate sexual intercourse. He has chosen to engage in this pursuit alone.
Nate Dogg, having just arrived in Long Beach, seeks Warren. Ironically, Nate passes a car full of women who are excited to see him. He insists to the women that there is no cause for excitement.
Warren makes a left at 21st Street and Lewis Ave, where he sees a group of young men enjoying a game of dice together. He parks his car and greets them. He is excited to find people to play with, but to his chagrin, he discovers they intend to relieve him of his material possessions. Once the hopeful thieves reveal their firearms, Warren realizes he is in a considerable predicament.
Meanwhile, Nate passes the women, as they are low on his list of priorities. His primary concern is locating Warren. After curtly casting away the strumpets (whose interest in Nate was such that they crashed their automobile), he serendipitously stumbles upon his friend, Warren G, being held up by the young miscreants.
Warren, unaware that Nate is surreptitiously observing the scene unfold, is in disbelief that he's being robbed. The perpetrators have taken jewelry and a name brand designer watch from Warren, who is so incredulous that he asks what else the robbers intend to steal. This is most likely a rhetorical question.
Observing these unfortunate proceedings, Nate realizes that he may have to use his firearm to deliver his friend from harm.
The tension crescendos as the robbers point their guns to Warren's head. Warren senses the gravity of his situation. He cannot believe the events unfolding could happen in his own neighborhood. As he imagines himself escaping in a surreal fashion, he catches a glimpse of his friend, Nate.
Nate has seventeen cartridges (sixteen residing in the pistol's magazine, with a solitary round placed in the chamber and ready to be fired) to expend on the group of robbers. Afterward, he generously shares the credit for neutralizing the situation with Warren, though it is clear that Nate did all of the difficult work. Putting congratulations aside, Nate quickly reminds himself that he has committed multiple homicides to save Warren before letting his friend know that there are females nearby if he wishes to fornicate with them.
Warren recalls that it was the promise of copulation that coaxed him away from his previous activities, and is thankful that Nate knows a way to satisfy these urges. Nate quickly finds the women who earlier crashed their car on Nate's account. He remarks to one that he is fond of her physical appeal. The woman, impressed by Nate's singing ability, asks that he and Warren allow her and her friends to share transportation. Soon, both friends are driving with automobiles full of women to the East Side Motel, presumably to consummate their flirtation in an orgy.
The third verse is more expository, with Warren and Nate explaining their G Funk musical style. Warren displays his bravado by daring anyone to approach the style. There follows a brief discussion of the genre's musicological features, with special care taken to point out that in said milieu the rhythm is not in fact the rhythm, as one might assume, but actually the bass. Similarly the bass serves a purpose closer to that which the treble would in more traditional musical forms. Nate displays his bravado by claiming that individuals with equivalent knowledge could not even attempt to approach his level of lyrical mastery. Nate goes on to note that if any third party smokes as he does, they would find themselves in a state of intoxication almost daily (from Nate's other works, it can be inferred that the substance referenced is marijuana). Nate concludes his delineation of the night by issuing a threat to "busters," suggesting that he and Warren will further "regulate" any potential incidents in the future (presumably by engaging their antagonists with small arms fire).
If you don't know the background story, here is a synopsis:
On a cool, clear night (typical to Southern California) Warren G travels through his neighborhood, searching for women with whom he might initiate sexual intercourse. He has chosen to engage in this pursuit alone.
Nate Dogg, having just arrived in Long Beach, seeks Warren. Ironically, Nate passes a car full of women who are excited to see him. He insists to the women that there is no cause for excitement.
Warren makes a left at 21st Street and Lewis Ave, where he sees a group of young men enjoying a game of dice together. He parks his car and greets them. He is excited to find people to play with, but to his chagrin, he discovers they intend to relieve him of his material possessions. Once the hopeful thieves reveal their firearms, Warren realizes he is in a considerable predicament.
Meanwhile, Nate passes the women, as they are low on his list of priorities. His primary concern is locating Warren. After curtly casting away the strumpets (whose interest in Nate was such that they crashed their automobile), he serendipitously stumbles upon his friend, Warren G, being held up by the young miscreants.
Warren, unaware that Nate is surreptitiously observing the scene unfold, is in disbelief that he's being robbed. The perpetrators have taken jewelry and a name brand designer watch from Warren, who is so incredulous that he asks what else the robbers intend to steal. This is most likely a rhetorical question.
Observing these unfortunate proceedings, Nate realizes that he may have to use his firearm to deliver his friend from harm.
The tension crescendos as the robbers point their guns to Warren's head. Warren senses the gravity of his situation. He cannot believe the events unfolding could happen in his own neighborhood. As he imagines himself escaping in a surreal fashion, he catches a glimpse of his friend, Nate.
Nate has seventeen cartridges (sixteen residing in the pistol's magazine, with a solitary round placed in the chamber and ready to be fired) to expend on the group of robbers. Afterward, he generously shares the credit for neutralizing the situation with Warren, though it is clear that Nate did all of the difficult work. Putting congratulations aside, Nate quickly reminds himself that he has committed multiple homicides to save Warren before letting his friend know that there are females nearby if he wishes to fornicate with them.
Warren recalls that it was the promise of copulation that coaxed him away from his previous activities, and is thankful that Nate knows a way to satisfy these urges. Nate quickly finds the women who earlier crashed their car on Nate's account. He remarks to one that he is fond of her physical appeal. The woman, impressed by Nate's singing ability, asks that he and Warren allow her and her friends to share transportation. Soon, both friends are driving with automobiles full of women to the East Side Motel, presumably to consummate their flirtation in an orgy.
The third verse is more expository, with Warren and Nate explaining their G Funk musical style. Warren displays his bravado by daring anyone to approach the style. There follows a brief discussion of the genre's musicological features, with special care taken to point out that in said milieu the rhythm is not in fact the rhythm, as one might assume, but actually the bass. Similarly the bass serves a purpose closer to that which the treble would in more traditional musical forms. Nate displays his bravado by claiming that individuals with equivalent knowledge could not even attempt to approach his level of lyrical mastery. Nate goes on to note that if any third party smokes as he does, they would find themselves in a state of intoxication almost daily (from Nate's other works, it can be inferred that the substance referenced is marijuana). Nate concludes his delineation of the night by issuing a threat to "busters," suggesting that he and Warren will further "regulate" any potential incidents in the future (presumably by engaging their antagonists with small arms fire).
On baridi, wazi usiku (kawaida Kusini mwa California) Warren G safari kupitia jirani yake, kwa ajili ya kutafuta wanawake ambao huenda kuanzisha kujamiiana. Amewachagua kushiriki katika harakati hii peke yake.
Nate Dogg, baada tu ya kufika katika Long Beach, inataka Warren. Suala la kushangaza, Nate hupita gari kamili ya wanawake ambao ni msisimko kumwona. Anasisitiza kwa wanawake kwamba hakuna sababu kwa msisimko.
Warren hufanya kushoto katika 21 Street na Lewis Ave, ambapo yeye anaona kundi la vijana kufurahia mchezo wa kete pamoja. Yeye mbuga za gari lake na anawasalimu yao. Yeye ni msisimko kupata watu kwa kucheza na, lakini kutokana na taarifa yake, yeye discovers nia ya kupunguza yake ya mali yake nyenzo. Mara baada ya wezi matumaini yatangaza silaha zao, Warren anatambua yeye ni katika hatari kubwa.
Wakati huo huo, Nate hupita wanawake, kama wao ni mdogo juu ya orodha yake ya vipaumbele. Wasiwasi wake msingi ni kuuweka Warren. Baada ya curtly akitoa mbali strumpets (ambao riba katika Nate ilikuwa kama kwamba wao kugonga gari yao), yeye serendipitously atajikwaa juu ya rafiki yake, Warren G, anashikiliwa up na wapotovu vijana.
Warren, hawajui kwamba Nate ni kindanindani kuchunguza tukio kufunua, ni kwa kutoamini kwamba yeye kuwa kuiba. Wahusika wamechukua kujitia na bidhaa jina designer kuangalia kutoka Warren, ambaye ni hivyo wakaidi kwamba anauliza nini kingine wezi na nia ya kuiba. Hii ni zaidi uwezekano swali kejeli.
Kuchunguza kesi hizi bahati mbaya, Nate anatambua kwamba yeye anaweza kutumia silaha zake kwa kutoa rafiki yake kutokana na madhara.
Crescendos mvutano kama wezi kumweka bunduki zao kwa kichwa Warren ya. Warren akili mvuto wa hali yake. Yeye hawezi kuamini matukio inayojitokeza inaweza kutokea katika kitongoji chake mwenyewe. Kama yeye imagines mwenyewe kukimbia katika mtindo surreal, yeye upatikanaji wa samaki mtazamo wa rafiki yake, Nate.
Nate ina cartridges kumi na saba (kumi na sita wanaoishi katika gazeti bastola wa, na pande zote faragha kuwekwa katika chumba na tayari kuwa fired) kutanua kwenye kundi la majambazi. Baadaye, yeye ukarimu anashiriki mikopo kwa ajili ya neutralizing hali na Warren, ingawa ni wazi kwamba Nate alifanya yote ya kazi ngumu. Kuweka pongezi kando, Nate haraka kuwakumbusha mwenyewe kwamba ana nia homicides nyingi kuokoa Warren kabla ya kuruhusu rafiki yake kujua kwamba kuna wanawake jirani kama anataka fornicate pamoja nao.
Warren anakumbuka kuwa ilikuwa ni ahadi ya copulation kwamba coaxed naye mbali kutokana na shughuli yake ya awali, na ni kushukuru kwamba Nate anajua njia ili kukidhi tamaa hizi. Nate haraka hupata wanawake ambao awali kugonga gari yao kwenye akaunti Nate ya. Yeye anasema kwa moja kwamba yeye ni uzoefu wa kukata rufaa yake ya kimwili. Mwanamke, hisia na Nate ya kuimba uwezo, anauliza kwamba yeye na Warren kuruhusu yake na marafiki zake kwa kushiriki usafiri. Hivi karibuni, marafiki wote ni kuendesha gari kwa magari kamili ya wanawake East Side Motel, labda ili kukamilisha flirtation yao katika orgy.
Aya ya tatu ni zaidi ya kudhihirisha, kwa Warren na Nate kueleza yao G Funk style ya muziki. Warren maonyesho ujasiri wake na daring mtu yeyote kwa njia ya mtindo. Kuna ifuatavyo majadiliano mafupi ya makala Ghana ya musicological, na huduma maalum kuchukuliwa kwa uhakika kwamba katika alisema milieu dansi si katika ukweli wa dansi, kama mtu anaweza kudhani, lakini kwa kweli bass. Vile vile bass mtumishi kusudi karibu na kwamba ambayo treble ingekuwa katika zaidi ya jadi aina ya muziki. Nate maonyesho ujasiri wake kwa kudai kwamba watu binafsi na maarifa sawa hakuweza hata kujaribu mbinu ngazi yake ya Sweet Kid mastery. Nate anaendelea kumbuka kwamba kama chama chochote cha tatu smokes kama anavyofanya, wangeweza kujikuta katika hali ya ulevi karibu kila siku (kutoka Nate ya kazi nyingine, inaweza inferred kuwa dutu inatazamwa ni bangi). Nate anahitimisha delineation yake ya usiku kwa kutoa tishio kwa "busters," kupendekeza kuwa yeye na Warren mapenzi zaidi ya "kusimamia" yoyote matukio uwezo katika siku zijazo (labda kwa kujihusisha maadui zao kwa moto silaha ndogo ndogo).
If you don't know the background story, here is a synopsis:
On a cool, clear night (typical to Southern California) Warren G travels through his neighborhood, searching for women with whom he might initiate sexual intercourse. He has chosen to engage in this pursuit alone.
Nate Dogg, having just arrived in Long Beach, seeks Warren. Ironically, Nate passes a car full of women who are excited to see him. He insists to the women that there is no cause for excitement.
Warren makes a left at 21st Street and Lewis Ave, where he sees a group of young men enjoying a game of dice together. He parks his car and greets them. He is excited to find people to play with, but to his chagrin, he discovers they intend to relieve him of his material possessions. Once the hopeful thieves reveal their firearms, Warren realizes he is in a considerable predicament.
Meanwhile, Nate passes the women, as they are low on his list of priorities. His primary concern is locating Warren. After curtly casting away the strumpets (whose interest in Nate was such that they crashed their automobile), he serendipitously stumbles upon his friend, Warren G, being held up by the young miscreants.
Warren, unaware that Nate is surreptitiously observing the scene unfold, is in disbelief that he's being robbed. The perpetrators have taken jewelry and a name brand designer watch from Warren, who is so incredulous that he asks what else the robbers intend to steal. This is most likely a rhetorical question.
Observing these unfortunate proceedings, Nate realizes that he may have to use his firearm to deliver his friend from harm.
The tension crescendos as the robbers point their guns to Warren's head. Warren senses the gravity of his situation. He cannot believe the events unfolding could happen in his own neighborhood. As he imagines himself escaping in a surreal fashion, he catches a glimpse of his friend, Nate.
Nate has seventeen cartridges (sixteen residing in the pistol's magazine, with a solitary round placed in the chamber and ready to be fired) to expend on the group of robbers. Afterward, he generously shares the credit for neutralizing the situation with Warren, though it is clear that Nate did all of the difficult work. Putting congratulations aside, Nate quickly reminds himself that he has committed multiple homicides to save Warren before letting his friend know that there are females nearby if he wishes to fornicate with them.
Warren recalls that it was the promise of copulation that coaxed him away from his previous activities, and is thankful that Nate knows a way to satisfy these urges. Nate quickly finds the women who earlier crashed their car on Nate's account. He remarks to one that he is fond of her physical appeal. The woman, impressed by Nate's singing ability, asks that he and Warren allow her and her friends to share transportation. Soon, both friends are driving with automobiles full of women to the East Side Motel, presumably to consummate their flirtation in an orgy.
The third verse is more expository, with Warren and Nate explaining their G Funk musical style. Warren displays his bravado by daring anyone to approach the style. There follows a brief discussion of the genre's musicological features, with special care taken to point out that in said milieu the rhythm is not in fact the rhythm, as one might assume, but actually the bass. Similarly the bass serves a purpose closer to that which the treble would in more traditional musical forms. Nate displays his bravado by claiming that individuals with equivalent knowledge could not even attempt to approach his level of lyrical mastery. Nate goes on to note that if any third party smokes as he does, they would find themselves in a state of intoxication almost daily (from Nate's other works, it can be inferred that the substance referenced is marijuana). Nate concludes his delineation of the night by issuing a threat to "busters," suggesting that he and Warren will further "regulate" any potential incidents in the future (presumably by engaging their antagonists with small arms fire).
Sad thing is, 81% of the board just read this and thought, hmm, I finally know what this song is about. The part wasn't born yet.
If you don't know the background story, here is a synopsis:
On a cool, clear night (typical to Southern California) Warren G travels through his neighborhood, searching for women with whom he might initiate sexual intercourse. He has chosen to engage in this pursuit alone.
Nate Dogg, having just arrived in Long Beach, seeks Warren. Ironically, Nate passes a car full of women who are excited to see him. He insists to the women that there is no cause for excitement.
Warren makes a left at 21st Street and Lewis Ave, where he sees a group of young men enjoying a game of dice together. He parks his car and greets them. He is excited to find people to play with, but to his chagrin, he discovers they intend to relieve him of his material possessions. Once the hopeful thieves reveal their firearms, Warren realizes he is in a considerable predicament.
Meanwhile, Nate passes the women, as they are low on his list of priorities. His primary concern is locating Warren. After curtly casting away the strumpets (whose interest in Nate was such that they crashed their automobile), he serendipitously stumbles upon his friend, Warren G, being held up by the young miscreants.
Warren, unaware that Nate is surreptitiously observing the scene unfold, is in disbelief that he's being robbed. The perpetrators have taken jewelry and a name brand designer watch from Warren, who is so incredulous that he asks what else the robbers intend to steal. This is most likely a rhetorical question.
Observing these unfortunate proceedings, Nate realizes that he may have to use his firearm to deliver his friend from harm.
The tension crescendos as the robbers point their guns to Warren's head. Warren senses the gravity of his situation. He cannot believe the events unfolding could happen in his own neighborhood. As he imagines himself escaping in a surreal fashion, he catches a glimpse of his friend, Nate.
Nate has seventeen cartridges (sixteen residing in the pistol's magazine, with a solitary round placed in the chamber and ready to be fired) to expend on the group of robbers. Afterward, he generously shares the credit for neutralizing the situation with Warren, though it is clear that Nate did all of the difficult work. Putting congratulations aside, Nate quickly reminds himself that he has committed multiple homicides to save Warren before letting his friend know that there are females nearby if he wishes to fornicate with them.
Warren recalls that it was the promise of copulation that coaxed him away from his previous activities, and is thankful that Nate knows a way to satisfy these urges. Nate quickly finds the women who earlier crashed their car on Nate's account. He remarks to one that he is fond of her physical appeal. The woman, impressed by Nate's singing ability, asks that he and Warren allow her and her friends to share transportation. Soon, both friends are driving with automobiles full of women to the East Side Motel, presumably to consummate their flirtation in an orgy.
The third verse is more expository, with Warren and Nate explaining their G Funk musical style. Warren displays his bravado by daring anyone to approach the style. There follows a brief discussion of the genre's musicological features, with special care taken to point out that in said milieu the rhythm is not in fact the rhythm, as one might assume, but actually the bass. Similarly the bass serves a purpose closer to that which the treble would in more traditional musical forms. Nate displays his bravado by claiming that individuals with equivalent knowledge could not even attempt to approach his level of lyrical mastery. Nate goes on to note that if any third party smokes as he does, they would find themselves in a state of intoxication almost daily (from Nate's other works, it can be inferred that the substance referenced is marijuana). Nate concludes his delineation of the night by issuing a threat to "busters," suggesting that he and Warren will further "regulate" any potential incidents in the future (presumably by engaging their antagonists with small arms fire).
Sad thing is, 81% of the board just read this and thought, hmm, I finally know what this song is about. The part wasn't born yet.
81% of this bored is old enough to remember when this song first came out.
If you don't know the background story, here is a synopsis:
On a cool, clear night (typical to Southern California) Warren G travels through his neighborhood, searching for women with whom he might initiate sexual intercourse. He has chosen to engage in this pursuit alone.
Nate Dogg, having just arrived in Long Beach, seeks Warren. Ironically, Nate passes a car full of women who are excited to see him. He insists to the women that there is no cause for excitement.
Warren makes a left at 21st Street and Lewis Ave, where he sees a group of young men enjoying a game of dice together. He parks his car and greets them. He is excited to find people to play with, but to his chagrin, he discovers they intend to relieve him of his material possessions. Once the hopeful thieves reveal their firearms, Warren realizes he is in a considerable predicament.
Meanwhile, Nate passes the women, as they are low on his list of priorities. His primary concern is locating Warren. After curtly casting away the strumpets (whose interest in Nate was such that they crashed their automobile), he serendipitously stumbles upon his friend, Warren G, being held up by the young miscreants.
Warren, unaware that Nate is surreptitiously observing the scene unfold, is in disbelief that he's being robbed. The perpetrators have taken jewelry and a name brand designer watch from Warren, who is so incredulous that he asks what else the robbers intend to steal. This is most likely a rhetorical question.
Observing these unfortunate proceedings, Nate realizes that he may have to use his firearm to deliver his friend from harm.
The tension crescendos as the robbers point their guns to Warren's head. Warren senses the gravity of his situation. He cannot believe the events unfolding could happen in his own neighborhood. As he imagines himself escaping in a surreal fashion, he catches a glimpse of his friend, Nate.
Nate has seventeen cartridges (sixteen residing in the pistol's magazine, with a solitary round placed in the chamber and ready to be fired) to expend on the group of robbers. Afterward, he generously shares the credit for neutralizing the situation with Warren, though it is clear that Nate did all of the difficult work. Putting congratulations aside, Nate quickly reminds himself that he has committed multiple homicides to save Warren before letting his friend know that there are females nearby if he wishes to fornicate with them.
Warren recalls that it was the promise of copulation that coaxed him away from his previous activities, and is thankful that Nate knows a way to satisfy these urges. Nate quickly finds the women who earlier crashed their car on Nate's account. He remarks to one that he is fond of her physical appeal. The woman, impressed by Nate's singing ability, asks that he and Warren allow her and her friends to share transportation. Soon, both friends are driving with automobiles full of women to the East Side Motel, presumably to consummate their flirtation in an orgy.
The third verse is more expository, with Warren and Nate explaining their G Funk musical style. Warren displays his bravado by daring anyone to approach the style. There follows a brief discussion of the genre's musicological features, with special care taken to point out that in said milieu the rhythm is not in fact the rhythm, as one might assume, but actually the bass. Similarly the bass serves a purpose closer to that which the treble would in more traditional musical forms. Nate displays his bravado by claiming that individuals with equivalent knowledge could not even attempt to approach his level of lyrical mastery. Nate goes on to note that if any third party smokes as he does, they would find themselves in a state of intoxication almost daily (from Nate's other works, it can be inferred that the substance referenced is marijuana). Nate concludes his delineation of the night by issuing a threat to "busters," suggesting that he and Warren will further "regulate" any potential incidents in the future (presumably by engaging their antagonists with small arms fire).
Sad thing is, 81% of the board just read this and thought, hmm, I finally know what this song is about. The part wasn't born yet.
81% of this bored is old enough to remember when this song first came out.
Which one? The Warren G/Nate Dogg original or the Michael McDonald remake?
Comments
In other words, he's surprised some are surprised out here.
On a cool, clear night (typical to Southern California) Warren G travels through his neighborhood, searching for women with whom he might initiate sexual intercourse. He has chosen to engage in this pursuit alone.
Nate Dogg, having just arrived in Long Beach, seeks Warren. Ironically, Nate passes a car full of women who are excited to see him. He insists to the women that there is no cause for excitement.
Warren makes a left at 21st Street and Lewis Ave, where he sees a group of young men enjoying a game of dice together. He parks his car and greets them. He is excited to find people to play with, but to his chagrin, he discovers they intend to relieve him of his material possessions. Once the hopeful thieves reveal their firearms, Warren realizes he is in a considerable predicament.
Meanwhile, Nate passes the women, as they are low on his list of priorities. His primary concern is locating Warren. After curtly casting away the strumpets (whose interest in Nate was such that they crashed their automobile), he serendipitously stumbles upon his friend, Warren G, being held up by the young miscreants.
Warren, unaware that Nate is surreptitiously observing the scene unfold, is in disbelief that he's being robbed. The perpetrators have taken jewelry and a name brand designer watch from Warren, who is so incredulous that he asks what else the robbers intend to steal. This is most likely a rhetorical question.
Observing these unfortunate proceedings, Nate realizes that he may have to use his firearm to deliver his friend from harm.
The tension crescendos as the robbers point their guns to Warren's head. Warren senses the gravity of his situation. He cannot believe the events unfolding could happen in his own neighborhood. As he imagines himself escaping in a surreal fashion, he catches a glimpse of his friend, Nate.
Nate has seventeen cartridges (sixteen residing in the pistol's magazine, with a solitary round placed in the chamber and ready to be fired) to expend on the group of robbers. Afterward, he generously shares the credit for neutralizing the situation with Warren, though it is clear that Nate did all of the difficult work. Putting congratulations aside, Nate quickly reminds himself that he has committed multiple homicides to save Warren before letting his friend know that there are females nearby if he wishes to fornicate with them.
Warren recalls that it was the promise of copulation that coaxed him away from his previous activities, and is thankful that Nate knows a way to satisfy these urges. Nate quickly finds the women who earlier crashed their car on Nate's account. He remarks to one that he is fond of her physical appeal. The woman, impressed by Nate's singing ability, asks that he and Warren allow her and her friends to share transportation. Soon, both friends are driving with automobiles full of women to the East Side Motel, presumably to consummate their flirtation in an orgy.
The third verse is more expository, with Warren and Nate explaining their G Funk musical style. Warren displays his bravado by daring anyone to approach the style. There follows a brief discussion of the genre's musicological features, with special care taken to point out that in said milieu the rhythm is not in fact the rhythm, as one might assume, but actually the bass. Similarly the bass serves a purpose closer to that which the treble would in more traditional musical forms. Nate displays his bravado by claiming that individuals with equivalent knowledge could not even attempt to approach his level of lyrical mastery. Nate goes on to note that if any third party smokes as he does, they would find themselves in a state of intoxication almost daily (from Nate's other works, it can be inferred that the substance referenced is marijuana). Nate concludes his delineation of the night by issuing a threat to "busters," suggesting that he and Warren will further "regulate" any potential incidents in the future (presumably by engaging their antagonists with small arms fire).
Also
On baridi, wazi usiku (kawaida Kusini mwa California) Warren G safari kupitia jirani yake, kwa ajili ya kutafuta wanawake ambao huenda kuanzisha kujamiiana. Amewachagua kushiriki katika harakati hii peke yake.
Nate Dogg, baada tu ya kufika katika Long Beach, inataka Warren. Suala la kushangaza, Nate hupita gari kamili ya wanawake ambao ni msisimko kumwona. Anasisitiza kwa wanawake kwamba hakuna sababu kwa msisimko.
Warren hufanya kushoto katika 21 Street na Lewis Ave, ambapo yeye anaona kundi la vijana kufurahia mchezo wa kete pamoja. Yeye mbuga za gari lake na anawasalimu yao. Yeye ni msisimko kupata watu kwa kucheza na, lakini kutokana na taarifa yake, yeye discovers nia ya kupunguza yake ya mali yake nyenzo. Mara baada ya wezi matumaini yatangaza silaha zao, Warren anatambua yeye ni katika hatari kubwa.
Wakati huo huo, Nate hupita wanawake, kama wao ni mdogo juu ya orodha yake ya vipaumbele. Wasiwasi wake msingi ni kuuweka Warren. Baada ya curtly akitoa mbali strumpets (ambao riba katika Nate ilikuwa kama kwamba wao kugonga gari yao), yeye serendipitously atajikwaa juu ya rafiki yake, Warren G, anashikiliwa up na wapotovu vijana.
Warren, hawajui kwamba Nate ni kindanindani kuchunguza tukio kufunua, ni kwa kutoamini kwamba yeye kuwa kuiba. Wahusika wamechukua kujitia na bidhaa jina designer kuangalia kutoka Warren, ambaye ni hivyo wakaidi kwamba anauliza nini kingine wezi na nia ya kuiba. Hii ni zaidi uwezekano swali kejeli.
Kuchunguza kesi hizi bahati mbaya, Nate anatambua kwamba yeye anaweza kutumia silaha zake kwa kutoa rafiki yake kutokana na madhara.
Crescendos mvutano kama wezi kumweka bunduki zao kwa kichwa Warren ya. Warren akili mvuto wa hali yake. Yeye hawezi kuamini matukio inayojitokeza inaweza kutokea katika kitongoji chake mwenyewe. Kama yeye imagines mwenyewe kukimbia katika mtindo surreal, yeye upatikanaji wa samaki mtazamo wa rafiki yake, Nate.
Nate ina cartridges kumi na saba (kumi na sita wanaoishi katika gazeti bastola wa, na pande zote faragha kuwekwa katika chumba na tayari kuwa fired) kutanua kwenye kundi la majambazi. Baadaye, yeye ukarimu anashiriki mikopo kwa ajili ya neutralizing hali na Warren, ingawa ni wazi kwamba Nate alifanya yote ya kazi ngumu. Kuweka pongezi kando, Nate haraka kuwakumbusha mwenyewe kwamba ana nia homicides nyingi kuokoa Warren kabla ya kuruhusu rafiki yake kujua kwamba kuna wanawake jirani kama anataka fornicate pamoja nao.
Warren anakumbuka kuwa ilikuwa ni ahadi ya copulation kwamba coaxed naye mbali kutokana na shughuli yake ya awali, na ni kushukuru kwamba Nate anajua njia ili kukidhi tamaa hizi. Nate haraka hupata wanawake ambao awali kugonga gari yao kwenye akaunti Nate ya. Yeye anasema kwa moja kwamba yeye ni uzoefu wa kukata rufaa yake ya kimwili. Mwanamke, hisia na Nate ya kuimba uwezo, anauliza kwamba yeye na Warren kuruhusu yake na marafiki zake kwa kushiriki usafiri. Hivi karibuni, marafiki wote ni kuendesha gari kwa magari kamili ya wanawake East Side Motel, labda ili kukamilisha flirtation yao katika orgy.
Aya ya tatu ni zaidi ya kudhihirisha, kwa Warren na Nate kueleza yao G Funk style ya muziki. Warren maonyesho ujasiri wake na daring mtu yeyote kwa njia ya mtindo. Kuna ifuatavyo majadiliano mafupi ya makala Ghana ya musicological, na huduma maalum kuchukuliwa kwa uhakika kwamba katika alisema milieu dansi si katika ukweli wa dansi, kama mtu anaweza kudhani, lakini kwa kweli bass. Vile vile bass mtumishi kusudi karibu na kwamba ambayo treble ingekuwa katika zaidi ya jadi aina ya muziki. Nate maonyesho ujasiri wake kwa kudai kwamba watu binafsi na maarifa sawa hakuweza hata kujaribu mbinu ngazi yake ya Sweet Kid mastery. Nate anaendelea kumbuka kwamba kama chama chochote cha tatu smokes kama anavyofanya, wangeweza kujikuta katika hali ya ulevi karibu kila siku (kutoka Nate ya kazi nyingine, inaweza inferred kuwa dutu inatazamwa ni bangi). Nate anahitimisha delineation yake ya usiku kwa kutoa tishio kwa "busters," kupendekeza kuwa yeye na Warren mapenzi zaidi ya "kusimamia" yoyote matukio uwezo katika siku zijazo (labda kwa kujihusisha maadui zao kwa moto silaha ndogo ndogo).
@YoungNateDawg can we finally start calling the UW secondary the #Regulators
This is what we're talking about right?